AllSaints US
Leather Forever
Long live leather. It’s been in our DNA since the beginning. Worn by everyone from punk legends to platinum blondes, the ultimate leather lasts a lifetime. Our collection channels the same rebellious spirit of the countercultures it’s rooted in, but with a modern edge. The result? Pieces that fit seamlessly into your everyday wardrobe, serving attitude and transcending style. From classic biker jackets to statement boots and bags – get ready to look and feel iconic.
Leather Forever
Long live leather. It’s been in our DNA since the beginning. Worn by everyone from punk legends to platinum blondes, the ultimate leather lasts a lifetime. Our collection channels the same rebellious spirit of the countercultures it’s rooted in, but with a modern edge. The result? Pieces that fit seamlessly into your everyday wardrobe, serving attitude and transcending style. From classic biker jackets to statement boots and bags – get ready to look and feel iconic.
Leather Forever
Long live leather. It’s been in our DNA since the beginning. Worn by everyone from punk legends to platinum blondes, the ultimate leather lasts a lifetime. Our collection channels the same rebellious spirit of the countercultures it’s rooted in, but with a modern edge. The result? Pieces that fit seamlessly into your everyday wardrobe, serving attitude and transcending style. From classic biker jackets to statement boots and bags – get ready to look and feel iconic.
THE DIFFERENCE IS IN THE CRAFTSMANSHIP. EACH OF OUR LEATHER PIECES ARE MADE TO REFLECT OUR COMMITMENT TO QUAILITY, FROM THE CAREFUL SELECTION OF PREMIUM MATERIALS TO THE ATTENTION TO DETAIL – WE ENSURE EACH PRODUCT NOT ONLY LOOKS GOOD, BUT IS BUILT TO LAST. BASED IN OUR EAST LONDON STUDIO, OUR HIGHLY SKILLED DESIGN AND ATELIER TEAMS WORK WITH LEATHER IN A WAY THAT HIGHLIGHTS ITS NATURAL BEAUTY AND UNIQUE TEXTURE. IT’S CRAFTMANSHIP THAT SPEAKS FOR ITSELF.
THE DIFFERENCE IS IN THE CRAFTSMANSHIP. EACH OF OUR LEATHER PIECES ARE MADE TO REFLECT OUR COMMITMENT TO QUAILITY, FROM THE CAREFUL SELECTION OF PREMIUM MATERIALS TO THE ATTENTION TO DETAIL – WE ENSURE EACH PRODUCT NOT ONLY LOOKS GOOD, BUT IS BUILT TO LAST. BASED IN OUR EAST LONDON STUDIO, OUR HIGHLY SKILLED DESIGN AND ATELIER TEAMS WORK WITH LEATHER IN A WAY THAT HIGHLIGHTS ITS NATURAL BEAUTY AND UNIQUE TEXTURE. IT’S CRAFTMANSHIP THAT SPEAKS FOR ITSELF.
THE DIFFERENCE IS IN THE CRAFTSMANSHIP. EACH OF OUR LEATHER PIECES ARE MADE TO REFLECT OUR COMMITMENT TO QUAILITY, FROM THE CAREFUL SELECTION OF PREMIUM MATERIALS TO THE ATTENTION TO DETAIL – WE ENSURE EACH PRODUCT NOT ONLY LOOKS GOOD, BUT IS BUILT TO LAST. BASED IN OUR EAST LONDON STUDIO, OUR HIGHLY SKILLED DESIGN AND ATELIER TEAMS WORK WITH LEATHER IN A WAY THAT HIGHLIGHTS ITS NATURAL BEAUTY AND UNIQUE TEXTURE. IT’S CRAFTMANSHIP THAT SPEAKS FOR ITSELF.
WHO BETTER TO TALK LEATHER THAN THE DESIGNERS WHO LIVE AND BREATHE IT? HERE, SOLÈNE FABIOS (SENIOR DESIGNER), ESME FAMEWO (JUNIOR DESIGNER), ROGER SMITH (HEAD OF PRODUCT – FOOTWEAR) AND CHRISTINA RUMM (HEAD OF DESIGN – BAGS) DISCUSS WHAT MAKES OUR LEATHER COLLECTIONS STAND OUT, MUSICAL INFLUENCES, AND WHY LEATHER IS STILL AT THE HEART OF ALLSAINTS.
WHO BETTER TO TALK LEATHER THAN THE DESIGNERS WHO LIVE AND BREATHE IT? HERE, SOLÈNE FABIOS (SENIOR DESIGNER), ESME FAMEWO (JUNIOR DESIGNER), ROGER SMITH (HEAD OF PRODUCT – FOOTWEAR) AND CHRISTINA RUMM (HEAD OF DESIGN – BAGS) DISCUSS WHAT MAKES OUR LEATHER COLLECTIONS STAND OUT, MUSICAL INFLUENCES, AND WHY LEATHER IS STILL AT THE HEART OF ALLSAINTS.
WHO BETTER TO TALK LEATHER THAN THE DESIGNERS WHO LIVE AND BREATHE IT? HERE, SOLÈNE FABIOS (SENIOR DESIGNER), ESME FAMEWO (JUNIOR DESIGNER), ROGER SMITH (HEAD OF PRODUCT – FOOTWEAR) AND CHRISTINA RUMM (HEAD OF DESIGN – BAGS) DISCUSS WHAT MAKES OUR LEATHER COLLECTIONS STAND OUT, MUSICAL INFLUENCES, AND WHY LEATHER IS STILL AT THE HEART OF ALLSAINTS.
WHAT SETS ALLSAINTS' LEATHER
APART FROM OTHER BRANDS?
Solène:
AllSaints cut out its space in fashion because it’s a subversive brand inspired by subculture and underground music. It’s a whole scene that influences the AllSaints product – and leather is a massive part of that music scene and those themes, like rebellious attitude. Leather has fit into the brand’s DNA from day one. And then today, we stand out because we still have our strong DNA, but we’ve also diversified our leather to tick different boxes, and that can be more feminine, or more directional – we have a much wider repertoire now within our leather category. Also our price point, I believe we sell a luxury product at a fraction of the price that most luxury brands do.
Esme:
We have such a strong brand DNA, our history speaks for itself. In womenswear in particular, we have diversified away from that original image, we’ve become a lot cleaner and a lot softer, but we then do that odd standout style using those old techniques such as heavy washing and there’s still a desire in the market for that as well – so when we do tap into our core DNA there’s still that appetite there for it, which is exciting.
Roger:
Three things for me. Firstly, its rock 'n' roll heritage. Secondly, we invest a lot of time to ensure the shoes feel as good as they look. And thirdly, good value for money.
Christina:
We have very high standards for the aspect, handfeel and sustainable qualities of our leathers.
WHAT SETS ALLSAINTS' LEATHER
APART FROM OTHER BRANDS?
Solène:
AllSaints cut out its space in fashion because it’s a subversive brand inspired by subculture and underground music. It’s a whole scene that influences the AllSaints product – and leather is a massive part of that music scene and those themes, like rebellious attitude. Leather has fit into the brand’s DNA from day one. And then today, we stand out because we still have our strong DNA, but we’ve also diversified our leather to tick different boxes, and that can be more feminine, or more directional – we have a much wider repertoire now within our leather category. Also our price point, I believe we sell a luxury product at a fraction of the price that most luxury brands do.
Esme:
We have such a strong brand DNA, our history speaks for itself. In womenswear in particular, we have diversified away from that original image, we’ve become a lot cleaner and a lot softer, but we then do that odd standout style using those old techniques such as heavy washing and there’s still a desire in the market for that as well – so when we do tap into our core DNA there’s still that appetite there for it, which is exciting.
Roger:
Three things for me. Firstly, its rock 'n' roll heritage. Secondly, we invest a lot of time to ensure the shoes feel as good as they look. And thirdly, good value for money.
Christina:
We have very high standards for the aspect, handfeel and sustainable qualities of our leathers.
WHAT SETS ALLSAINTS' LEATHER
APART FROM OTHER BRANDS?
Solène:
AllSaints cut out its space in fashion because it’s a subversive brand inspired by subculture and underground music. It’s a whole scene that influences the AllSaints product – and leather is a massive part of that music scene and those themes, like rebellious attitude. Leather has fit into the brand’s DNA from day one. And then today, we stand out because we still have our strong DNA, but we’ve also diversified our leather to tick different boxes, and that can be more feminine, or more directional – we have a much wider repertoire now within our leather category. Also our price point, I believe we sell a luxury product at a fraction of the price that most luxury brands do.
Esme:
We have such a strong brand DNA, our history speaks for itself. In womenswear in particular, we have diversified away from that original image, we’ve become a lot cleaner and a lot softer, but we then do that odd standout style using those old techniques such as heavy washing and there’s still a desire in the market for that as well – so when we do tap into our core DNA there’s still that appetite there for it, which is exciting.
Roger:
Three things for me. Firstly, its rock 'n' roll heritage. Secondly, we invest a lot of time to ensure the shoes feel as good as they look. And thirdly, good value for money.
Christina:
We have very high standards for the aspect, handfeel and sustainable qualities of our leathers.
CAN YOU DESCRIBE ANY INNOVATIVE METHODS
YOU USE WHEN WORKING WITH LEATHER?
Solène:
We were one of the very first brands to wash leathers. We were the first in the early 90s to really dip jackets and let them air dry, or wash them to a point where they’re quite distressed. So we became recognised because of that, our leathers were called shrunken leathers. We were always looking at different ways to push the boundaries of leather garment, which included tumbling, where you put it in a drum and dry it hot or cold, and also using different methods that are applied to other categories, such as denim for example. Denim is stonewashed with different types of pebbles, so we would use rubber tubes and rubber beads, because obviously stone would damage the leather.
Christina:
Leather quality and aspect is at the forefront of our product. We select leathers to give the best handfeel and outcome; leathers that age beautifully. Lamb can be butter-soft or broken. Cow leathers can be oily and veg-tanned or highly polished to give them a natural luxe aspect. We mix methods of tanning: I love pull-up veg tan lamb, naturally shrunken grains and super-fine, cracked-paper techniques. I guess we mix traditional tanning methods with modern techniques.
CAN YOU DESCRIBE ANY INNOVATIVE METHODS
YOU USE WHEN WORKING WITH LEATHER?
Solène:
We were one of the very first brands to wash leathers. We were the first in the early 90s to really dip jackets and let them air dry, or wash them to a point where they’re quite distressed. So we became recognised because of that, our leathers were called shrunken leathers. We were always looking at different ways to push the boundaries of leather garment, which included tumbling, where you put it in a drum and dry it hot or cold, and also using different methods that are applied to other categories, such as denim for example. Denim is stonewashed with different types of pebbles, so we would use rubber tubes and rubber beads, because obviously stone would damage the leather.
Christina:
Leather quality and aspect is at the forefront of our product. We select leathers to give the best handfeel and outcome; leathers that age beautifully. Lamb can be butter-soft or broken. Cow leathers can be oily and veg-tanned or highly polished to give them a natural luxe aspect. We mix methods of tanning: I love pull-up veg tan lamb, naturally shrunken grains and super-fine, cracked-paper techniques. I guess we mix traditional tanning methods with modern techniques.
CAN YOU DESCRIBE ANY INNOVATIVE METHODS
YOU USE WHEN WORKING WITH LEATHER?
Solène:
We were one of the very first brands to wash leathers. We were the first in the early 90s to really dip jackets and let them air dry, or wash them to a point where they’re quite distressed. So we became recognised because of that, our leathers were called shrunken leathers. We were always looking at different ways to push the boundaries of leather garment, which included tumbling, where you put it in a drum and dry it hot or cold, and also using different methods that are applied to other categories, such as denim for example. Denim is stonewashed with different types of pebbles, so we would use rubber tubes and rubber beads, because obviously stone would damage the leather.
Christina:
Leather quality and aspect is at the forefront of our product. We select leathers to give the best handfeel and outcome; leathers that age beautifully. Lamb can be butter-soft or broken. Cow leathers can be oily and veg-tanned or highly polished to give them a natural luxe aspect. We mix methods of tanning: I love pull-up veg tan lamb, naturally shrunken grains and super-fine, cracked-paper techniques. I guess we mix traditional tanning methods with modern techniques.
DO YOU FOLLOW TRENDS / IGNORE
TRENDS / A BIT OF BOTH?
Christina:
We love to see what our peers are doing and it’s impossible not to be excited by what is going on in fashion, but to have originality it is vital to look away and be uncontaminated. We look for inspiration in eras and sometimes vintage, rather than what is going on last season.
Solène:
I would say we do both. We create product that we believe in, that feels AllSaints, that embodies our core DNA as a brand, but we are also looking out for what is trending and how we can create a product that offers the trend in our own way. So we play with both – we play with our more historical codes and we also play around with what is new on the scene.
Roger:
We’re not a fad brand, we have a strong personal point of view and we generally stick to that. However, it is important that we feel contemporary so our shapes and technology should always feel up to date.
HOW DO YOU INCORPORATE ELEMENTS
OF REBELLION INTO YOUR DESIGNS?
Roger:
We often wash styles or hand-finish uppers to give them that tough lived-in feel. We also use a lot of studs and metalwork – as found on our biker jackets – to give them that rock 'n' roll feel.
Christina:
Aspects can change seasonally and right now we’re into shrunken lamb and super-thin nappa with a paper effect. Over the years we have established some mainstay leathers that have natural grains so all bags vary in a subtle and unique way.
DO YOU FOLLOW TRENDS / IGNORE
TRENDS / A BIT OF BOTH?
Christina:
We love to see what our peers are doing and it’s impossible not to be excited by what is going on in fashion, but to have originality it is vital to look away and be uncontaminated. We look for inspiration in eras and sometimes vintage, rather than what is going on last season.
Solène:
I would say we do both. We create product that we believe in, that feels AllSaints, that embodies our core DNA as a brand, but we are also looking out for what is trending and how we can create a product that offers the trend in our own way. So we play with both – we play with our more historical codes and we also play around with what is new on the scene.
Roger:
We’re not a fad brand, we have a strong personal point of view and we generally stick to that. However, it is important that we feel contemporary so our shapes and technology should always feel up to date.
HOW DO YOU INCORPORATE ELEMENTS
OF REBELLION INTO YOUR DESIGNS?
Roger:
We often wash styles or hand-finish uppers to give them that tough lived-in feel. We also use a lot of studs and metalwork – as found on our biker jackets – to give them that rock 'n' roll feel.
Christina:
Aspects can change seasonally and right now we’re into shrunken lamb and super-thin nappa with a paper effect. Over the years we have established some mainstay leathers that have natural grains so all bags vary in a subtle and unique way.
DO YOU FOLLOW TRENDS / IGNORE
TRENDS / A BIT OF BOTH?
Christina:
We love to see what our peers are doing and it’s impossible not to be excited by what is going on in fashion, but to have originality it is vital to look away and be uncontaminated. We look for inspiration in eras and sometimes vintage, rather than what is going on last season.
Solène:
I would say we do both. We create product that we believe in, that feels AllSaints, that embodies our core DNA as a brand, but we are also looking out for what is trending and how we can create a product that offers the trend in our own way. So we play with both – we play with our more historical codes and we also play around with what is new on the scene.
Roger:
We’re not a fad brand, we have a strong personal point of view and we generally stick to that. However, it is important that we feel contemporary so our shapes and technology should always feel up to date.
HOW DO YOU INCORPORATE ELEMENTS
OF REBELLION INTO YOUR DESIGNS?
Roger:
We often wash styles or hand-finish uppers to give them that tough lived-in feel. We also use a lot of studs and metalwork – as found on our biker jackets – to give them that rock 'n' roll feel.
Christina:
Aspects can change seasonally and right now we’re into shrunken lamb and super-thin nappa with a paper effect. Over the years we have established some mainstay leathers that have natural grains so all bags vary in a subtle and unique way.
CAN YOU WALK US THROUGH YOUR CREATIVE
PROCESS BEHIND A TYPICAL PIECE?
Solène:
For menswear, I usually start with a vintage jacket that can inspire multiple products. I like to look at icons that resonate with the brand, classic rock 'n' roll icons of any era. Being re-inspired by famous photos or gigs. So looking at vintage pieces or imagery is a huge part for me. We do travel a bit too, to do a bit of street-style people watching, and we check out what’s happening in fashion weeks.
Esme:
We work with our atelier team on the pattern development, they’ll drape something, often on calico (a cotton-canvas we use a lot to develop our first prototype, as it can emulate the look and feel of leather) and then it’s realised and brought to life with our leather factories.
HOW DO YOU THINK THE ALLSAINTS CUSTOMER INTERACTS WITH LEATHER, AND HOW DOES THAT INFLUENCE YOUR DESIGN CHOICES?
Christina:
We’re close to our customer and we design to our customers functional lifestyle needs. They’re down to earth, need function and respond to softness. We’re aiming for the customer to notice the bag, but have a relationship with the tactility of the leather in the same way we do.
Roger:
The luxury of having an extensive retail team and a very loyal following gives us many opportunities to hear from our customers. Many have been coming for years and are very vocal. It's really important that we hear from them and react to their input.
CAN YOU WALK US THROUGH YOUR CREATIVE
PROCESS BEHIND A TYPICAL PIECE?
Solène:
For menswear, I usually start with a vintage jacket that can inspire multiple products. I like to look at icons that resonate with the brand, classic rock 'n' roll icons of any era. Being re-inspired by famous photos or gigs. So looking at vintage pieces or imagery is a huge part for me. We do travel a bit too, to do a bit of street-style people watching, and we check out what’s happening in fashion weeks.
Esme:
We work with our atelier team on the pattern development, they’ll drape something, often on calico (a cotton-canvas we use a lot to develop our first prototype, as it can emulate the look and feel of leather) and then it’s realised and brought to life with our leather factories.
HOW DO YOU THINK THE ALLSAINTS CUSTOMER INTERACTS WITH LEATHER, AND HOW DOES THAT INFLUENCE YOUR DESIGN CHOICES?
Christina:
We’re close to our customer and we design to our customers functional lifestyle needs. They’re down to earth, need function and respond to softness. We’re aiming for the customer to notice the bag, but have a relationship with the tactility of the leather in the same way we do.
Roger:
The luxury of having an extensive retail team and a very loyal following gives us many opportunities to hear from our customers. Many have been coming for years and are very vocal. It's really important that we hear from them and react to their input.
CAN YOU WALK US THROUGH YOUR CREATIVE
PROCESS BEHIND A TYPICAL PIECE?
Solène:
For menswear, I usually start with a vintage jacket that can inspire multiple products. I like to look at icons that resonate with the brand, classic rock 'n' roll icons of any era. Being re-inspired by famous photos or gigs. So looking at vintage pieces or imagery is a huge part for me. We do travel a bit too, to do a bit of street-style people watching, and we check out what’s happening in fashion weeks.
Esme:
We work with our atelier team on the pattern development, they’ll drape something, often on calico (a cotton-canvas we use a lot to develop our first prototype, as it can emulate the look and feel of leather) and then it’s realised and brought to life with our leather factories.
HOW DO YOU THINK THE ALLSAINTS CUSTOMER INTERACTS WITH LEATHER, AND HOW DOES THAT INFLUENCE YOUR DESIGN CHOICES?
Christina:
We’re close to our customer and we design to our customers functional lifestyle needs. They’re down to earth, need function and respond to softness. We’re aiming for the customer to notice the bag, but have a relationship with the tactility of the leather in the same way we do.
Roger:
The luxury of having an extensive retail team and a very loyal following gives us many opportunities to hear from our customers. Many have been coming for years and are very vocal. It's really important that we hear from them and react to their input.
DO YOU HAVE A PERSONAL CONNECTION TO LEATHER? WAS THERE A SPECIFIC MOMENT IN YOUR CAREER WHERE YOU KNEW YOU WANTED TO FOCUS ON IT?
Esme:
When my Dad first came over to this country he worked in a leather factory, and then he worked at Hermès for 20 years, so I’ve always had this love of fashion and leather myself. A lot of my final collection at university had leather. I wasn’t able to afford it, so I went round all the factories and picked up the scraps and made things out of them. So, I’ve always had leather in my DNA. It speaks to me and I love it.
Christina:
Oh my god, yes. I was trained and worked in ready-to-wear before I had the experience in my second job of working with leather to make bags and shoes. We weren’t experts in leather, but because of this, we found – with our limited machinery – ways to craft it. I can honestly say this was the most exciting time of my career to that point, and I would work with leather endlessly. Going to leather fairs prolongs that fascination as we see tanning evolve.
Solène:
It was really through my trips with AllSaints to India and Turkey, in the tanneries and with our suppliers, that I really got to know leather and really got to fall in love with it. Every single time I’m surprised by it. I love the history – it’s the material that has the most history because it literally stems from pre-historic times. It’s got a magic to it and working with leather makers is just such an honour. It’s such a beautiful craft that has changed over the centuries, but the techniques are still so rooted in history.
DO YOU HAVE A PERSONAL CONNECTION TO LEATHER? WAS THERE A SPECIFIC MOMENT IN YOUR CAREER WHERE YOU KNEW YOU WANTED TO FOCUS ON IT?
Esme:
When my Dad first came over to this country he worked in a leather factory, and then he worked at Hermès for 20 years, so I’ve always had this love of fashion and leather myself. A lot of my final collection at university had leather. I wasn’t able to afford it, so I went round all the factories and picked up the scraps and made things out of them. So, I’ve always had leather in my DNA. It speaks to me and I love it.
Christina:
Oh my god, yes. I was trained and worked in ready-to-wear before I had the experience in my second job of working with leather to make bags and shoes. We weren’t experts in leather, but because of this, we found – with our limited machinery – ways to craft it. I can honestly say this was the most exciting time of my career to that point, and I would work with leather endlessly. Going to leather fairs prolongs that fascination as we see tanning evolve.
Solène:
It was really through my trips with AllSaints to India and Turkey, in the tanneries and with our suppliers, that I really got to know leather and really got to fall in love with it. Every single time I’m surprised by it. I love the history – it’s the material that has the most history because it literally stems from pre-historic times. It’s got a magic to it and working with leather makers is just such an honour. It’s such a beautiful craft that has changed over the centuries, but the techniques are still so rooted in history.
DO YOU HAVE A PERSONAL CONNECTION TO LEATHER? WAS THERE A SPECIFIC MOMENT IN YOUR CAREER WHERE YOU KNEW YOU WANTED TO FOCUS ON IT?
Esme:
When my Dad first came over to this country he worked in a leather factory, and then he worked at Hermès for 20 years, so I’ve always had this love of fashion and leather myself. A lot of my final collection at university had leather. I wasn’t able to afford it, so I went round all the factories and picked up the scraps and made things out of them. So, I’ve always had leather in my DNA. It speaks to me and I love it.
Christina:
Oh my god, yes. I was trained and worked in ready-to-wear before I had the experience in my second job of working with leather to make bags and shoes. We weren’t experts in leather, but because of this, we found – with our limited machinery – ways to craft it. I can honestly say this was the most exciting time of my career to that point, and I would work with leather endlessly. Going to leather fairs prolongs that fascination as we see tanning evolve.
Solène:
It was really through my trips with AllSaints to India and Turkey, in the tanneries and with our suppliers, that I really got to know leather and really got to fall in love with it. Every single time I’m surprised by it. I love the history – it’s the material that has the most history because it literally stems from pre-historic times. It’s got a magic to it and working with leather makers is just such an honour. It’s such a beautiful craft that has changed over the centuries, but the techniques are still so rooted in history.
WE ARE A MEMBER OF THE LEATHER WORKING GROUP (LWG) – A NON-PROFIT ORGANISATION WITH STRICT STANDARDS THAT AUDIT HOW LEATHER IS MADE, FOCUSING ON ENVIRONMENTAL IMPACT, SOCIAL RESPONSIBILITY AND GOVERNANCE. IT ALSO HELPS ENSURE THAT CHEMICALS USED IN THE TANNING PROCESS ARE HANDLED SAFELY AND EFFICIENTLY.
WE ALSO RECOGNISE THAT THE MEAT INDUSTRY IS ONE OF THE LARGEST CONTRIBUTORS TO DEFORESTATION GLOBALLY, AND THAT’S WHY WE’RE WORKING CLOSELY WITH OUR SUPPLIERS TO IMPROVE TRACEABILITY AND TRANSPARENCY IN HOW OUR LEATHER IS SOURCED. IT’S A CHALLENGE THE ENTIRE LEATHER INDUSTRY FACES, BUT WE’RE COMMITTED TO DOING BETTER AND FINDING SOLUTIONS.
WE ARE A MEMBER OF THE LEATHER WORKING GROUP (LWG) – A NON-PROFIT ORGANISATION WITH STRICT STANDARDS THAT AUDIT HOW LEATHER IS MADE, FOCUSING ON ENVIRONMENTAL IMPACT, SOCIAL RESPONSIBILITY AND GOVERNANCE. IT ALSO HELPS ENSURE THAT CHEMICALS USED IN THE TANNING PROCESS ARE HANDLED SAFELY AND EFFICIENTLY.
WE ALSO RECOGNISE THAT THE MEAT INDUSTRY IS ONE OF THE LARGEST CONTRIBUTORS TO DEFORESTATION GLOBALLY, AND THAT’S WHY WE’RE WORKING CLOSELY WITH OUR SUPPLIERS TO IMPROVE TRACEABILITY AND TRANSPARENCY IN HOW OUR LEATHER IS SOURCED. IT’S A CHALLENGE THE ENTIRE LEATHER INDUSTRY FACES, BUT WE’RE COMMITTED TO DOING BETTER AND FINDING SOLUTIONS.
WE ARE A MEMBER OF THE LEATHER WORKING GROUP (LWG) – A NON-PROFIT ORGANISATION WITH STRICT STANDARDS THAT AUDIT HOW LEATHER IS MADE, FOCUSING ON ENVIRONMENTAL IMPACT, SOCIAL RESPONSIBILITY AND GOVERNANCE. IT ALSO HELPS ENSURE THAT CHEMICALS USED IN THE TANNING PROCESS ARE HANDLED SAFELY AND EFFICIENTLY.
WE ALSO RECOGNISE THAT THE MEAT INDUSTRY IS ONE OF THE LARGEST CONTRIBUTORS TO DEFORESTATION GLOBALLY, AND THAT’S WHY WE’RE WORKING CLOSELY WITH OUR SUPPLIERS TO IMPROVE TRACEABILITY AND TRANSPARENCY IN HOW OUR LEATHER IS SOURCED. IT’S A CHALLENGE THE ENTIRE LEATHER INDUSTRY FACES, BUT WE’RE COMMITTED TO DOING BETTER AND FINDING SOLUTIONS.
PICKED YOUR PERFECT LEATHER? NOW LET OUR SIZE GUIDE HELP YOU FIND THE PERFECT FIT.