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iKeda contains multitudes

iKeda contains multitudes

30 October 2026

30 October 2026

iKeda is the chameleonic, genre-bending artist at the forefront of London’s creative scene. With an electro-pop EP reminiscent of M.I.A. and a tour with PinkPantheress under her belt this year alone, the London-based artist is only just warming up.

Words Eni Subair

iKeda is the chameleonic, genre-bending artist at the forefront of London’s creative scene. With an electro-pop EP reminiscent of M.I.A. and a tour with PinkPantheress under her belt this year alone, the London-based artist is only just warming up.

Words Eni Subair

iKeda is the chameleonic, genre-bending artist at the forefront of London’s creative scene. With an electro-pop EP reminiscent of M.I.A. and a tour with PinkPantheress under her belt this year alone, the London-based artist is only just warming up.

Words Eni Subair

Trying to put London-based musician iKeda into any sort of box would be your first mistake. “I made my own genre called bubble riddim music,” she says, her voice a little raspy from a cold and back-to-back rehearsals. She’s bare-faced and dressed in an ice-blue Juicy Couture tracksuit. “I wouldn’t say it’s a genre that’s meant for other people. It’s just to describe my music. The iKeda genre – it’s eclectic and kawaii.”

iKeda’s part of a new wave of UK stars pushing experimental music forward and refusing to play it safe. Inspired by her roots and putting her own spin on a multitude of genres – from dancehall to electropop and everything in between – iKeda’s music is full of, well, bangers.

Her first project, Pretty Little Problem, released in 2024, set the pace. Now, Bangs N Braces, the six-track EP she released in August – shortly after wrapping up her support slot on PinkPantheress’s European tour, mind you – cements iKeda’s status as a chameleonic genre-bender. “I was dedicated to the bang, and I was obsessed with wearing braces,” she says of the title. “Also, there’s bangers – that’s the vibe of the EP.”

The record is full of electro-pop sounds with touches of R&B and tracks that veer into fully fledged rave tunes. Reminiscent of Santigold and M.I.A., and with lyrics inspired by Lilly Allen, whom iKeda describes as her favourite songwriter, the record culminates in a slew of late-naughties references that never feel nostalgic. Instead, iKeda’s ability to bend genres to her own rhythm makes her work feel endlessly contemporary and entirely unpredictable.


 

Trying to put London-based musician iKeda into any sort of box would be your first mistake. “I made my own genre called bubble riddim music,” she says, her voice a little raspy from a cold and back-to-back rehearsals. She’s bare-faced and dressed in an ice-blue Juicy Couture tracksuit. “I wouldn’t say it’s a genre that’s meant for other people. It’s just to describe my music. The iKeda genre – it’s eclectic and kawaii.”

iKeda’s part of a new wave of UK stars pushing experimental music forward and refusing to play it safe. Inspired by her roots and putting her own spin on a multitude of genres – from dancehall to electropop and everything in between – iKeda’s music is full of, well, bangers.

Her first project, Pretty Little Problem, released in 2024, set the pace. Now, Bangs N Braces, the six-track EP she released in August – shortly after wrapping up her support slot on PinkPantheress’s European tour, mind you – cements iKeda’s status as a chameleonic genre-bender. “I was dedicated to the bang, and I was obsessed with wearing braces,” she says of the title. “Also, there’s bangers – that’s the vibe of the EP.”

The record is full of electro-pop sounds with touches of R&B and tracks that veer into fully fledged rave tunes. Reminiscent of Santigold and M.I.A., and with lyrics inspired by Lilly Allen, whom iKeda describes as her favourite songwriter, the record culminates in a slew of late-naughties references that never feel nostalgic. Instead, iKeda’s ability to bend genres to her own rhythm makes her work feel endlessly contemporary and entirely unpredictable.

“I wouldn’t say it’s a genre that’s meant for other people. It’s just to describe my music.
The iKeda genre.”

“I wouldn’t say it’s a genre that’s meant for other people. It’s just to describe my music. The iKeda genre.”

“I wouldn’t say it’s a genre that’s meant for other people. It’s just to describe my music. The iKeda genre.”

Much like her high-octane tunes, her style is just as audacious. For the pop star's latest video, Tiger Tiger, she sports a half-shaved head, straight out of the 2010s it-girl playbook, while crawling across the floor of a sprawling manor in a chainmail dress.

Usually sporting a pair of ultra-high silhouettes, her style has become a distinctive part of her creative outputs and performances. Last week iKeda took to the stage at Berlin’s Studio1111 for an event with AllSaints, dressed in a double-breasted trench and hand-stitched court shoes – a look which fed into the singer's “dominatrix-inspired” aesthetic. “I’m all about silhouettes; I like things being cinched in at the waist,” she says.

The event celebrated AllSaints’ Autumn Winter ’26 collection, with iKeda invited to perform songs from her EP as part of an intimate listening experience. For the gig, she played one of her most successful tracks, Go!. “I really enjoy performing Go! the most because it’s just, like, really high energy,” she says with a grin.

A dancehall-tinged track, the song’s music video was shot in Jamaica – with locals even lending their homes and sugarcane fields for the video – as an ode to her heritage. “I’m so proud to be Jamaican,” she says. “My family’s from Westmoreland, so it was important to be able to do a video there. A lot of my music does have – and is always gonna have – dancehall influences because of what I grew up on.”


 

Growing up between Tottenham and Cambridge (and, for a time, on a houseboat), iKeda learned to navigate two very different worlds. “It was dangerous in Tottenham when I was growing up, but I’ve always felt like I belonged in London,” she says. Cambridge offered countryside and nature, but its lack of diversity was a shock after experiencing North London’s melting pot. “It was super white,” she says. “There were me and a few other Black people, and we stuck together, so I had a good time. Both [places] made me who I am.”

She went on to study visual arts at Central Saint Martins – “I was obsessed with Russian surrealism and Japanese cinema. I still am” – and there began DJing, though she admits mixing wasn’t exactly “her strong suit” (she’s still working on it). It was watching close friend and musician Babymorocco make tracks that convinced her to take music seriously. “He made it look almost so easy to make a song.” The pair, who’ve known each other for well over a decade (there are fan pages dedicated to their friendship), soon started making music together, leading to iKeda’s first written track, 2024’s Luv Drunk. “I didn’t even think people would care that much, and then when I saw how much people really wanted me to do more, I was like, ‘Oh shit, okay.’”


 

“A lot of my music does
have – and is always gonna have
– dancehall influences because
of what I grew up on.”

“A lot of my music does
have – and is always
gonna have – dancehall
influences because of
what I grew up on.”

iKeda has a close-knit crew of creatives who make up her inner circle. Alongside Babymorocco, she works with photographer and videographer Erika Kamano. “I’m quite lucky because I came up with everything with my best friend, Erika.” Kamano has shot the majority of iKeda’s videos, including Go. Together, they conjure up video treatments inspired by books, antique shops, and retro Gaga and Rihanna videos. “We’re a really good team. She understands my music and what I’m trying to put across,” iKeda says. “It feels cool to be able to do that because it feels a bit more real.”

These friendships have helped the musician explore interests beyond music, leaning into other pursuits, including fashion, where she’s even tried her hand at making airbrushed dresses. “I convinced myself that if I spent £900 on fabric, made 25 dresses and sold them all, I’d make a profit,” she says, smiling. “I messed up, and no one bought any!” Well, almost no one. One dress caught the eye of PinkPantheress’s stylist, who reached out to pull a dress. A win is a win.


 

“People don’t get to do this at this stage of my career. I was thrown in at the deep end,
but I stayed afloat”

“We don’t follow culture from a distance, we participate in it.”

“People don’t get to do this at this stage of my career. I was thrown in at the deep end, but I stayed afloat”

Last June, iKeda finally met Pink when she joined her on NTS Radio’s Victory Lap cypher. Fast-forward a year, and she was opening for the Stateside singer on tour. “People don’t get to do this at this stage of my career. I was thrown in at the deep end, but I stayed afloat,” she says. “Seeing people singing my lyrics was really cool.” And what did she learn from Pink? “Oh my god, she’s just so good. She’s so professional and knows what she wants. I’d watch her and be like, ‘How are you not tired?’ She has so much energy and time for people; not many people are like that. She’s just a real-ass bitch. I love her.” (There’s a fan account for them, too.)

If you missed iKeda on tour with PinkPantheress or in Berlin last week, 2027 is set to bring another milestone for the singer. She’ll be joining Aussie DJ Ninajirachi on the American leg of her tour. “My visa just got approved. I’m so happy!” As for future music, expect more curveballs. “When I travel and make videos, I’m definitely doing stuff that’s quite out of the ordinary,” she says. We’d say iKeda’s 2027 has already got this year beat.


 

A fashion portrait of a iKeda wearing AllSaints Leonard double-breasted trench coat, holding its lapel and looking down; dramatic lighting creates a cool, confident mood.
A woman with long dark hair sits on a concrete floor against a pale wall, wearing a black leather outfit and boots; her pose feels calm and confident.
A man in a black cap, long gray leather coat, and boots stands with arms crossed before deep blue curtains, projecting a stern, dramatic mood.
A woman in a black leather jacket and dark trousers stands before a giant speaker, looking directly at the camera with a cool, confident expression.
A pale, blue-eyed man with tousled dark hair wears a black coat against a gray wall, staring intensely at the camera with a moody, dramatic expression.
A smiling blonde woman in a black outfit holds a wine glass beside oversized speakers in a dim venue, conveying a lively, stylish party mood.